Announcing: Short Story Dissections.
It's hard to believe it's already been six months since I first sat down at The Ink-Stained Desk. What a wild (—and immensely enjoyable) ride it's been! From unpacking the subtle differences in literary genres in the Genre Genealogy Series, to book reviews and investigating the very roots of storytelling and how cultural book trends influence the narratives we love. I truly believe we've built something special here on Substack. Your engagement, your thoughtful comments, your sheer enthusiasm for digging deeper into the stories that shape us, it's precisely what keeps this little corner of the internet buzzing.
Now, as we move forward, I'm thrilled to unveil something new and exciting:
Short Story Dissections.
I've hinted a few times at a new thing brewing over here, and it’s something I've been very excitedly planning for several months. Something designed specifically for those of you who crave that extra layer, who want to pull back the curtain and see the gears turning in the most potent narratives.
This isn't just another series; it's an exclusive, deep dive into the captivating world of short fiction, with a particular focus on the chilling and the fantastical. Each installment will see us peeling back the layers of a single short story, exploring its craft, themes, and underlying cultural currents. We'll venture beyond the surface, examining how these compact narratives resonate with broader literary traditions and contemporary trends. Expect to uncover the hidden mechanics of horror that make your skin crawl, and the intricate world-building that transports you to realms of pure imagination.
This series will include some of the most influential, unsettling, and (— in my opinion) utterly brilliant classic short stories in the horror and fantasy canon. Think The Raven by Edgar Allan Poe, The Lottery by Shirley Jackson and The Snow Queen by Hans Christian Anderson.
But I’m also digging deep to uncover obscure and unknown gems, by some authors you might know, and a few you may not, such as The Landlady by Roald Dahl, The Great God Pan by Arthur Machen and The Vampyre; A Tale by John William Polidori.
I aim to ensure that each short story being analysed is freely available for those who want to take part, be that because it exists within the Public Domain, is available using a free JSTOR account or some other legitimate online source.
Why a paid series? This allows me to dedicate the significant time and research required to bring you truly in-depth, high-quality analysis that goes far beyond a casual read. It means more focused content, more rigorous exploration, and a truly dedicated space for those who share a passion for the art of short storytelling.
This means The Ink-Stained Desk is officially open to paid subscriptions! Before you panic though, your regular Friday articles and The Genre Genealogy Series will continue and remain completely free, always, as promised.
Why now?
I love the chapter-by-chapter deep dives into books that I’ve seen, and taken part in, on Substack, and while I love a sprawling epic classic and a shiny new releases, I believe there's an unparalleled power in the perfectly crafted short story. As I mentioned a few weeks ago (—here in The Elegance Of The Short Story), I think they’re a little neglected on Substack as far as discourse and examination are concerned. And also, in the realms of horror and fantasy, these classics aren't just tales; they're often foundational texts, which complements my ongoing Genre Genealogy Series. They’re the whispers that many of the present roars began with.
What To Expect From The Short Story Dissections.
We’re not just going to read these stories; as the series title indicates, we’re going to dissect them. We’ll pull apart the language, explore the unspoken anxieties, trace the lineage of their ideas, and marvel at the sheer craft that makes them timeless.
We'll ask:
How does a single paragraph conjure such dread?
What makes this fantastical world feel utterly real, even in just a few pages?
What enduring truths (or terrifying lies) do these old tales still whisper to us today?
And for us writers out there: what can we learn from the masters about pacing, atmosphere, and character in miniature?
This is about appreciation, understanding, and shared discovery. It's about recognising the genius in every carefully chosen word, every chilling implication, every fleeting glimpse of wonder.
Each installment of the series will also offer academic papers, websites and related story suggestions.
If you've enjoyed the journey so far and crave a more profound understanding of the stories that haunt and inspire us, then Short Story Dissections is for you. Join me as we embark on this exciting new chapter, one meticulously dissected tale at a time.
If you’ve already gone ahead and become a paid subscriber, great! You'll automatically receive these deep dives directly in your inbox. No extra steps needed, just sit back and get ready to delve.
If you’ve been on the fence, or you’re a free subscriber wondering what is going to lie beyond the public posts. This series is designed to offer a unique, enriching experience that goes beyond the regular content. It’s an investment in your own literary journey, a way to sharpen your appreciation for storytelling, and a direct way to support my independent work.
Click below to become a paid subscriber and join the Short Story Dissection series. With your paid subcription you will receive:
Short Story Dissection series posts
Long-form book reviews
Thematic essays and deep-dive analyses, (—much like my recent exploration of T. Kingfisher's Whimsical Canine Companions).
I cannot wait to begin releasing this new series into the world. Prepare to see your favourite classics, and be introduced to some new stories, in a whole new light. Or, perhaps, in a much deeper darkness. I intend to release the first in this series for free next week, a little ‘try before you buy’.
See you tomorrow for the regular Friday article,
C M Reid at The Ink-Stained Desk.
